Welcome To The Summer Of Love’s Greatest Musical Achievement!
The Monterey Pop Festival was the pinnacle of the “summer of love”, and now The Criterion Collection is releasing ALL of the musical performances! As their press release states:
“With his characteristic vérité style—and a camera crew that included the likes of Albert Maysles and Richard Leacock — D. A. Pennebaker captured it all, immortalizing moments that have become legend”:
Those musical moments include The Who’s Pete Townshend smashing his guitar on stage, while Jimi Hendrix set his on fire!
“The Criterion Collection is proud to present the most comprehensive document of the Monterey International Pop Festival ever produced, featuring the films Monterey Pop, Jimi Plays Monterey, and Shake! Otis at Monterey, along with every available complete performance filmed by Pennebaker and his crew.”
That’s right – in December, Criterion is releasing three separate films capturing ALL of the music from this “once in a lifetime” festival!
Laura Nyro’s Monterey Pop Performance Lives!
Fans of Laura Nyro should be in heaven, because that means we will finally see her entire performance – a controversial one!
The original documentary showed a song or two from each performer, and that has led to a myth around Nyro’s performance…because there is a myth that has formed around it!
Laura Nyro’s On The Cutting Room Floor!
In 1967, Laura Nyro was one of the hottest new talents in music. Still, she was making only her second major live appearance at Monterey Pop. Laura performed “Wedding Bell Blues”, “Poverty Train” and “Eli’s Coming”…yes, she wrote the song turned into a #1 hit by Three Dog Night! Nyro performed the three songs, but here is what they say on The Criterion Collection blu-ray about what happened next:
“Not all of the amazing acts from the 1967 Monterey International Pop Festival made it into the final cut of D. A. Pennebaker’s documentary Monterey Pop. Among the casualties was Laura Nyro, who gave one of the more notorious performances.”
Why Notorious? The Myth Uncovered!
According to Criterion, a myth has built up that, after performing her three songs, Nyro left the stage in tears, convinced she had been booed — even though this has been disputed over the years! The great news is that her performance has been restored! In this footage from her set — included in the two hours of outtakes in the blu-ray collector’s edition of the documentary, you don’t hear any boos – and Criterion points out that, if you listen closely, you hear a “Beautiful!” or two from the audience!
The Legend Grows…
Over the years, the legend grew that Laura was booed off the stage at Monterey. This was widely reported in the biggest music magazines, like Rolling Stone at the time – and the myth stuck! Amazingly, it was even mentioned in several of Nyro’s obituaries after her death in 1997.
Judge for yourself! Here is one of her GREAT performances from the Monterey Pop Festival:
No Charge Singing!
One last piece of trivia from IMDB: “Most of the artists played for free and were only paid for their expenses – the only performer who was paid for his performance was Ravi Shankar. When John Phillips and Lou Adler took over the promotion of the festival from the original promoters, they decided to honor Shankar’s original contract.”
So Laura probably sang for free, got a warm reception, but the myth lived on! And, according to the film maker, Nyro may have had a hand in that!
This is fascinating to me: even though this myth stayed with Laura her entire life, the footage of her performance now seen on the blu-ray release shows that the singer clearly received a warm round of applause from the audience. Perhaps the fact the performance didn’t make the original theatrical cut allowed the myth to flourish….
And, As For Laura’s Role In That…
According to the original Criterion Collection blu-ray, the documentary’s Director, legendary film maker D.A. Pennebaker believes Nyro imagined the negative reaction, and may have even helped spread the rumor herself. They don’t give an example, so it is just presented as a theory from the Director. I cannot find anything from Nyro on this subject, but it is a fascinating myth that is now cleared up by the concert footage…
Another interesting piece of trivia from the film: this was the next to last performance for The Mamas and the Papas. They performed one more time before breaking up a few months later.
And if you need more proof just how talented Nyro was, here it is: from youtube, here is Laura Nyro’s earliest recording of her classic song “And When I Die” from 1966, when she was just eighteen years old!
Thanks to S. Adam Bernstein for posting this online! It’s just one of many great live performances you can find, including such Nyro classics as “Stony End”, “Wedding Bell Blues” and “Stoned Soul Picnic.”
I plan to buy this new massive release, and finally see ALL of the performances, including Laura! And of course, I wrote a story about Laura’s collaboration with my other favorite artist, Todd Rundgren! Todd not only produced one of her later albums, he recorded a tribute to her as well…
You can read all about it by clicking here….
And recently, Todd wrote a moving tribute to Laura:
You can see that entire story by clicking here:
If you have additional trivia or information to share about Nyro’s performance at Monterey Pop, feel free to share. And of course, let me know what your favorite Laura Nyro songs are!
Categories: 70's Cinema, 70's Music, Art, Awards, Books / Media, Classic Rock, Cult Movies, documentary films, Film Fight Club, Great Films, Hollywood, Independent Cinema, Memoirs, Movies, Music, Obscure Movies, Obscure Music, Talent/Celebrities, Todd Rundgren, Uncategorized
johnrieber 
Was the footage of Johnny Rivers backed by Jimmy Webb and the Wrecking Crew musicians added in? Or did Lou Adler have that destroyed? 😉
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That’s a great question and I want to find out!
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Hi John,
Interesting article!
When I was a kid, Laura’s Dad – Louis NIgro (her real last name) used to tune out piano.
As a grown up, I worked with Todd Rundgren for many years – and went with him to Laura’s house in Connecticut everyday for a number of weeks for his collaboration on that record. Todd had more of a supportive role than his typical hands-on producer role. They were enjoyable sessions, quite business-like. I thought her recording band was very competent – but not very soulful. Todd & Laura got a long very well – and there were a number of fun, goofy conversations at the end of the day.
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Thank you so much for sharing this!!!
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This looks good, John. I have seen the original documentary, but the extra footage has to be worth the new DVD. Stoney End is a great favourite of mine even the Streisand cover version.
Best wishes, Pete.
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Pete, the Jimi Hendrix and Who material is timeless – a one time only musical event!
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